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Guardians of the Galaxy Became the Best Version of Itself By Letting James Gunn Do His Thing

Warning: Spoilers for Guardians of the Galaxy Vol. continue. 3

Guardians of the Galaxy Vol. 3 is James Gunn’s perfect exit from Marvel’s Cinematic Universe (DC is supposed to be his new eternal home). This is the most individually voiced Marvel movie, from an interstellar costume seeing Gunn’s trilogy coming to a close, to perhaps the universe’s first uncensored F-Bomb. has injected every ounce of himself into the Guardians trilogy, from the soundtrack to the screenplay to the motion capture of Baby Groot, finding the best version of the character he loves so dearly. Guardians movie. Pound by pound, the Guardians trilogy is his one of the best character-centric substories in the MCU. This is thanks to the freedom that allowed Gunn to be himself with minimal interference.

From Peter Quill’s Thief Set to Redbone’s “Come and Get Your Love” at the beginning of the first Guardians of the Galaxy. With 3 bittersweet finales to Florence and the Machine’s “Dog Days Are Over,” Gunn emphasizes his cinematic personality throughout the song. What other Marvel movies create excitement around mixtapes chosen by the filmmakers before the movie is released?The perfect backing Gunn’s ability to accentuate the story’s impact by choosing his tracks Adds more depth to his cosmic his rock his operas. The tracks on Gunn’s home playlist are the rhythms behind Quill’s antics, Drax’s beatdowns, and deeply emotional confessions as he writes scenes to his pre-selected needle drops. will be

James Gunn cares a lot

Music is just one ingredient in Gunn’s signature sauce. The evolution of the Guardians is consistent, from an unlikely jailbreak union to a rescue mission that unites them in a battle against the Celestials and causes a tearful goodbye. That complaint is nullified by the Guardians trilogy, which Gunn wrote (along with co-writer) and directed. Instead of tackling mommy and daddy issues, Quill’s ongoing battle shuffles to save the Galaxy without losing Drax, Gamora, Rocket, or Groot. Unlike the movie, Gunn wants you to love each Guardian as much as you love him, especially his personal favorite Rocket Raccoon.

Unlike the lesser superteam movies where you can’t promote every member, Gunn wants you to love each Guardian as much as you love them.


His quirky yet weighty signature is more subtle in the first Guardians of the Galaxy film. You are tasked with creating an origin story. It’s the most neatly hidden and even of his Guardian films.Guardians of the Galaxy Vol. 1 is the MCU’s first foray into “Cosmic Marvel.” Gunn knows that the sight of Ronan bravely threatening Thanos or speeding off in Quill’s Milano spaceship is unique: the sights, the sounds, those he’s not seen in 2014. It wasn’t his MCU.

Gunn’s attention to detail makes his films stand out. 1. Quill’s devotion to battered Walkmans and sentimental mixtapes opens up the characters like a pop-up storybook. Moments of quiet dialogue and bonding outside Nova Corp’s fleet galloping around Kree fighters above Xander echo loudly throughout all three films. . 1 is impeccable and the durable storytelling arc allows for ruining and resurrecting a hero who doesn’t know what to do with conditional love. Never distracted, ensuring the Guardians themselves are the main focus at all times.

There is no more noticeable beneficiary of Gunn’s character building than the blue spiteful Slash’s secret soft Yondu. Quill and Yondu joke about how the Ravager captain kidnapped an Earth boy and threatened cannibalism. Again, little touches like Yondu’s dashboard chocks and Quill’s approving smile make Guardians of the Galaxy Vol. 2 one of the most beautiful celebrations of him in the entire MCU. Gunn’s stealthy quill unfolding and Yondu’s love for parenthood hit like Ronan’s hammer, and Kat his Stevens “Father and Son” over Yondu’s fireworks-filled Ravager funeral. played, causing an emotional wreck in even the most die-hard viewers.

he takes a giant sonic swing (and lands)

What’s striking is the way Gunn does this in the very ridiculous Guardians of the Galaxy Vol. 2. Baby Groot’s opening, ELO’s “Mr. Blue Sky” is Vol. A twisted prankster who finds it amusing when Baby Groot cuts off and steals Ravager’s toes. A child-like clown, including a scene from a rejected Looney Tunes cartoon, like when a rocket sends hordes of ravagers bouncing into the air as if they were made of flubber. Groot’s nausea, Hallmarkie’s father-son catch scene between Quill and Ego, Rocket’s continued obsession with stealing bionic body parts — Vol. It’s approaching the Guardians as a Saturday morning staple.

Through it all, Guardians of the Galaxy Vol. 2 is richly rewarding as a character study, among all the gags and goofs. Meanwhile, Mantis sobbed in a tragic display after reading Drax’s bloody memory. After Yondu’s pep talk, Rocket’s approval as King Asshole is simple, but impactful as we learn that mutated mammals are vulnerable. Yondu’s pure facial turns cheer, and his proud declaration that he’s Mary Poppins isn’t just a throwaway laugh. , in which Quill presents the deceased Yondu’s Yaka arrow weapon, and Kraglin’s voice creaks a movingly cold “thank you.” Gunn just makes one line, the smallest of the little things, feel so huge.

Guardians of the Galaxy Vol. 3 is the full lap of Gunn’s career, which began with a mentorship under cult horror frontman Lloyd Kaufman at Troma Studios. All of Gunn’s darkest humor in scripts from Tolomeo and Juliet to The Bellco Experiment has been pushed as far as possible under Marvel’s direction. Adam Warlock’s inability to figure out the difference between light hostage punishment and evisceration with a laser beam is ridiculously inappropriate for the MCU, but perfectly comparable to the filmmaker’s catalog. The High Evolutionary is he one of Marvel’s most abominable bastards, and his animals his war his machines his army are nightmare fuel (even if voiced by Judy Greer). Gunn blows up innocent Counter-Earth denizens, finds humor in material that raises questions that parents may be hesitant to answer among young MCU fans, and instills confidence in a way that fits OG Guardians’ swan song. Gunn’s all-in and Marvel’s ability to make him who he is is what drives this trilogy capper home.

Guardians of the Galaxy Vol. 3 is full gun

Where Vol. 1 and Vol. 2 is Gunn’s safer comedy tendencies, Vol. Dare I say there’s a heartbreak comparable to Elliott Page’s fate in Super where Young Rocket tries to force Lila and the others out of the cage? (Red Skull looks like America’s Next Top Model winner). Even Drax is brought up to defeat his foes with an insatiable thirst for blood, fulfilling his true calling. Gunn leads his caring caretaker Mojo to reach deep into his bag of tricks. But we stop before we dive into the abyss of cynicism and social failure found in some of his grim horror features — his Guardians fighting for the future we all deserve.

GungHo Guardians of the Galaxy Vol. 3 never loses the thread of humanity that yearns for its Guardians and helps us feel connected to them. The animal cruelty flashback sequences are the tearful moments you’d expect. Quill’s angry devotion to wounded Rocket, Gamora’s not-so-soft deflection to Quill’s lovestruck plea, and the whole sting of “The Last Hustle” of seeing the characters split for improvement is selfish indulgence. and. Gunn never stops his interest in the Guardian through all of his tonal embellishments and appropriations. Each film in the trilogy remains character work at its core, no matter how easy it is to boil down Gunn’s signature to borderline youth humor and chart-topping music video sequences.

Never acknowledging his vision, Gunn made these Guardians movies for the abandoned, misunderstood, and broken people among us.


Gun fires every cylinder for the most complete trilogy imaginable. Guardians of the Galaxy is his Star Wars. He allows himself to ride shotguns with wildcard protectors who need protection primarily from themselves, baring their flaws. No sub-franchise in the current MCU has made me openly cry at every entry other than Guardians — Gunn’s innate innate to telling impactful stories with characters that others could turn into freak shows. An ode to ability. The payoff is what these Guardians movies are all about, Vol. 3 endlessly nods to previous entries. Now that you’ve grown into a big family with the Guardians, will being able to understand Groot end it all? If that doesn’t bother you, stick your heart into the incinerator because it’s frozen solid.

Ant-Man might make me laugh. Captain America: The Winter Soldier might excite me. James Gunn’s Guardians movie is a whole other kind of movie that can make you laugh, cry, howl with excitement, and feel multiple experiences all at once. “We are Groot,” the Ravager’s funeral, the Guardian’s salute to his Rocket—Gunn knows exactly how to bring a tsunami of meaning to ballooning story highs. Across three movies, Guardians has become the MCU’s unsung hero thanks to a man who supports imperfect perfection. Never acknowledging his vision, Gunn made these Guardians movies for the abandoned, misunderstood, and broken people among us. After all, Gunn’s accentuated personality is the secret weapon these underdog Guardians need to show the MCU how it’s done.

That, and possibly Zaldu Hassellau.

For more information about the movie, check out James Gunn and Chris Pratt respond to IGN’s commentsseek out How to watch Guardians 3 or study All Guardians of the Galaxy so far!

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