Sculpture S.2122 looks like a large glass box containing a futuristic building and surrounding water and sky. The foundations of the building are submerged in water, and every five years the water level rises until after 25 years, the building and its inhabitants are completely submerged. It is a visual reminder of the climate crisis and a testament to the artist’s belief that humanity will survive and adapt to chaos.
The museum also houses works by Refik Anadol and has a 360-foot long screen with built-in technology. Permanent exhibition on the history of Nanjing. The immersive exhibits bring scenes from the Qing dynasty scrolls to life. In the cityscape of Nanjing over 1,000 years ago, scholars, merchants, hawkers and other figures in the scene come to life as passersby pass by the museum.
In Switzerland there is a laboratory dedicated to the development of immersive exhibits. At the École Polytechnic Fedéral de Lausanne, Professor of Digital Museology Sarah Kenderdin and her team encourage museum visitors to interact with exhibits and other people, or find better researches the best ways to use digital technology for better curatorship. How the public can access museum collections.
For the past 25 years, Kenderdine has created all kinds of immersive and interactive exhibits.she is aboriginal National Museum of Australia Newly developed to tell the dream story of seven sisters An interactive way to access archived footage of 5,400 musicians performing jazz, blues and Latin musicand digital technology to make important yet sensitive cultural assets accessible to more people. Mogao Grottoes in Dunhuang, China.
In her work, a combination of human interaction and digital immersion has often proven to be most effective in engaging audiences.
Kenderdine talks about how the work of the 1970s “father of video art” Nam June Paik has taught us how we experience things now and where technology is going. During our discussion, I said, “Artistic or general experimentation is very important.” “Often we see the future through the lens of these different arts.”
