“We are all working on whether I feel worthy of something, such as entering the theater,” Dougherty said. The anxiety of the British class that Doherty said he was still experiencing is at the heart of “Chloe”.
Alice Seabright, the show’s creator and writer, spent part of her childhood in France, saying, “In the UK, people are very adaptable to their hometowns and backgrounds.” When Becky hides her true accents and background, her deception is “the world she’s in as full of fiction-also full of lies,” Seabright, 32 said.
Becky can be dismissed as unfavorable because of his tendency to self-loathing. When she was playing her role, Seabright remembered what filmmaker Mike Nichols once said: Go with the person your character will be by the end of the movie. “Erin has the opposite warm energy of Becky when you meet her,” she said. “But that’s the one she’s under.” After casting Doherty in “The Crown,” Gold also chose Doherty for his role in the feature “Firebrand” for the next period.
Dougherty is seriously attracted to the material. “I really care why people need to tell stories,” she said. “Whenever I go home, my dad always seems to say,’Are you going to do something interesting?’ She developed this quiet strength in drama school. “I was the one who never went out,” she said. “I had nothing to do with it. I didn’t have many friends. The friends I had were the people I respected.”
“Chloe” also explores the strength of women friendship. She told Doherty that many of her friends had never grown up. But at a coffee shop overlooking the Thames, she was an enthusiastic company with a good sense of humor. It was difficult to imagine her as a lonely person.
