In 1949, the German philosopher Theodor Adorno famously declared that writing poetry after Auchwitz was “barbaric”. The questions that support his remarks are more relevant than ever. Does art production serve any purpose in the face of war, genocide and other atrocities? David Henrie Gerson’s documentary “The Story Doesn’t Die” certainly answers yes.The Syrian refugee artists featured in the film — men and women suffering from one of the cruelest refuges of our time — claim not only the survival of art, but its claim as art. meaning Of survival.
Interviewing with many Syrian singers, rappers, dancers and visual artists currently based in Europe, Gerson explores how artistic expression appears because of oppression, and despite oppression. I will explore. Like post-rock musician Anas Maglevi, who brought his three drum kits to a boat across the Atlantic, their profession is a kind of spiritual life jacket. For others like photographer Omar Imam, the experience of migration has provided a tremendous impetus. His “Syrianism” series seeks to redefine the depiction of refugee stereotypes.
Passing a needle between an individual story and a wider historical portrait is just as challenging for his subject and for Gerson. Artists are keen to express their experiences in their work, but want to be seen as more than “experimental mice for people to show documentaries,” all female Syrian rock. Bahila Hijazi, a member of the band, says. If Gerson’s lively super-cut style sometimes feels frustratingly rough, he wisely chooses to concede the stage to the artist. Exciting scenes from concerts and recitals are the highlights of the film, rather than turning them into data points for a thorough explanation of the refugee crisis.
The story never dies
Unrated. Arabic and English, with subtitles. Execution time: 1 hour and 23 minutes.Can be rented or purchased at the theater Amazon, Vudu And other streaming platforms and pay TV operators.
