Last month’s pick digs deeper into the fall, so this time we’re sticking to (almost) low-gore, non-scary horror movies.
‘Dash cam’
Rental or purchase on most major platforms..
I start with the most hingeless, low-budget, controversial movie on my list. It was overseen by Rob Savage. His terrifying “host” was one of my favorite movies released within the first year of the pandemic about Bonker’s supernatural zoom call. (Don’t confuse this “Dashcam” with another great movie of the same name these days.)
Here, musician Annie Hardy starred as Annie, the host of the live stream show MAGA, antivaxxer. She will travel from Los Angeles to London to visit her ex-bandmate and livestream the slaughter and haunting vortex. Filmed in an explosive found footage style, the film slowly builds until the first moment of violence and never slows down thereafter. This is a noisy countermeasure against the tranquility that has made the “host” very effective and anxious.
Your tolerance for the character Annie (an unpleasant American troll) depends on your tolerance for Hardy herself. I enjoyed her whims and hated the selfish politics of her character.I have a movie Split horror fan On the question of whether Hardy shares the conservative opinion of her character and whether it is important. Don’t miss Hardy’s rap between credits for a vulgar bonus.
Niki (Sepideh Moafi) and her husband David (Clayne Crawford) have decided to take a break from their rocky, but still loving marriage. Their four children lived with her and he moved to their small country town with his sick father.
When Niki begins to meet another man (Chris Coy), David is afraid of his relationship with Niki and their children are at risk. He is not wrong. These loud, disoriented sounds we hear — lumps, barks, and eyelashes — are more than a sign that David’s emotional state is collapsing. They warn of signs of darkness coming.
Hope writer / director / editor Robert Machoian doesn’t mind including Slowburn’s indie on this list on his low budget as it’s not a horror in the traditional sense. increase.
But when the movie starts with a throbbing tableau of a guy pointing a gun at sleeping people, the same guy gets bloody with a brutal attack, and otherwise fills with a scene of tragic tension, I do it. I don’t know what else to call it. That’s scary to me. Just above the low flame that never goes out. Crawford is devastating as his affectionate father slowly inchings towards his limits.
What happens when the trauma appears at your front door with a handsome face? That’s the question that drives this fascinating Canadian indie from writer, director, and actor Mark O’Brien.
The film begins when Frederick (Henry Czerny) and Ethel (Mimi Kajik) mourn the death of their young adopted daughter. One night, former priest Frederick heard a sound outside the house, There he finds An injured young man named Aaron (O’Brien) says he got lost.
However, Aaron’s destination has always been their home, and he turns out to have an eerie spiritual mission with Frederick in mind. “Be careful what you want,” one character warns Frederick. “But see what you are praying for.”
O’Brien has produced a very intimate paranormal film that looks like it was directed to the stage. (He said he Affected By Bergman and Haneke. A long scene of dinner table talk may test viewers who are enthusiastic about their actions.
But conversations about faith, punishment, and guilt reveal why the film won the Screenplay Award. last year’s Fantasia Film Festival. Scott McClellan’s Black and White Cinematography is an impressive visual companion to make the Newfoundland and Labrador countryside look beautiful and ominous.
Watching this ridiculous movie was an unexpected guilty joy. Even better, it’s free and best enjoyed on Friday night with pizza and lime a litas.
Jennie Garth — my girl Kelly in Beverly Hills 90210 — moved to Pennsylvania with her teenage daughter Lily (Devin Chechett) and is a professor of English literature teaching at Eastern Hemrock Community College Joan Miller. Play.
He loves John Irving’s novels, but he and his friend Violet (Cary Sikanai) live in Lily. But when a mysterious accident begins, Lily and her mom begin to wonder if “Zennis” is a self-help book or a demonic instruction manual.
I must thank director William Corcoran and writer Adam Rockoff for giving me the high school sex cult book club movie I wanted to have when I was 16. This is the first horror movie I’ve seen. Both the advocacy of Kate Chopin’s “awakening” feminist and the debate on board lilard’s nihilism.
Two teenage sisters, Juana (Malena Filmus) and Mara (Lola Abraldes), live in a country house with their emotionally unstable aunt, Inés (Umbra Colombo). Local. )
Things turn unexpectedly when the girl’s cousin Lucio (Franco Rizaro) comes to stay. After all it’s summer, and Lucio is handsome and flirty. He likes to wrap, smoke, and, at Juana’s request, drop a towel after taking a shower. But when their friendship becomes a jealous love triangle that makes sisters fight sisters, the consequences can be fatal.
Lucas Nasareno Turturlo’s Spanish movie is perfect for horror fans who like drama soap and don’t mind waiting to the end for something horrifying to happen.Still, the story seeks a more sinister outline and a darker visual vocabulary when exploring anger, resentment, and female sexuality-like a director. Josephine Decker When Lucrecia Martel I did it when they explored the dark corners of life.
